Prof. Dr. Jorge Cardoso Filho

Person
Priorities

Short Bio

Education

PhD in Communication, Universidade Federal de Minas Gerais
M.A. in Communication and Contemporary Culture, Universidade Federal da Bahia
Bachelor in Communication Studies, Universidade Federal da Bahia

Experience

(Currently) Associate Professor - Communication Theory - Universidade Federal do Recôncavo da Bahia
(2016-2020) Director of the Center of Arts, Humanities and Literature (CAHL) Universidade Federal do Recôncavo da Bahia

Research interests includes: Aesthetic experience;, music;, territories;, and musical scenes; in afro diasporical contexts

Selected Publications

Almeida, Gabriela; Cardoso Filho, Jorge (ed). Comunicação, estética e política: epistemologias, problemas e pesquisas. Curitiba: Editora Appris, 2020
Cardoso Filho, Jorge; Almeida, Gabriela; Campos, Deivison (ed). Políticas do sensível: corpos e marcadores da diferença na comunicação. Belo Horizonte: Selo PPGCOM/UFMG, 2020
Cardoso Filho, Jorge. From performance to recording: assumptions of the rock aesthetics debate. E-COMPÓS, v. 13, 2010, p. 08.
Cardoso Filho, Jorge. El cultivo retorico de la escucha. El Oído Pensante, v. 02, 2014, p. 1-18.
Cardoso Filho, Jorge. Diáspora e perspectivismo no rock brasileiro - as matrizes do elogio, escracho e ironia. In: Gallucci, Natacha (ed). Estamos Aqui: debates afrolatinoamericanos em perspectiva Brasil Argentina. Juazeiro do Norte: Editora da Universidade Federal do Cariri, v. 01, 2021, p. 124-147

Project Description

The main goal of the research “The South Atlantic afrodiasporic and perspectivistic rock from Recôncavo da Bahia, Brazil” is to interpret and systematize diasporic and perspectivism experiences developed in the musical scenes of the following cities from Bahia: Salvador, Cachoeira, São Félix, Cruz das Almas, Santo Antônio de Jesus e Maragojipe. Focusing on media productions (video clips, songs, social network profiles) and the daily experience of the listeners and musicians, we try to show, in comparative approach that musical expressions function also as experiences. of resisting, re-elaborating and exploring fissures in the hegemonic regimes of exclusion, specially the exclusion of certain kind of sensibilities.